{"id":2322,"date":"2009-05-12T10:54:26","date_gmt":"2009-05-12T15:54:26","guid":{"rendered":"http:\/\/www.allyngibson.net\/?p=2322"},"modified":"2009-05-12T10:54:26","modified_gmt":"2009-05-12T15:54:26","slug":"on-the-latest-writing","status":"publish","type":"post","link":"http:\/\/www.allyngibson.com\/?p=2322","title":{"rendered":"On the Latest Writing"},"content":{"rendered":"<p>It&#8217;s taken four chapters of &#8220;THOD,&#8221; but I have <i>finally<\/i> found my narrative voice.<\/p>\n<p>There&#8217;s nothing objectively wrong with what I&#8217;ve written previously.  It&#8217;s just feels <i>flat<\/i> to me.<\/p>\n<p>Last night I was working on a scene between one of the story&#8217;s protagonists, Freddy, and someone he knows briefly in his youth, a woman named Anna.  (When I say &#8220;briefly,&#8221; she&#8217;s gone by the end of this chapter, never to return again.)  Their brief interaction doesn&#8217;t define Freddy&#8217;s life, but it does provoke an epiphany on Freddy&#8217;s part and it informs some of his actions later in the story.<\/p>\n<p>I&#8217;d been thinking about this scene for a few days, and over the weekend I took a stab at writing it, but the results lacked vibrancy.  Yesterday afternoon, I saw a better approach, and I started scribbling down ideas.  When I sat down and started hammering them out, the words flowed much better, and the wording felt lively.  I&#8217;ve found the right distance, I&#8217;ve found the right spot.<\/p>\n<p>I feel like I&#8217;ve found my voice for &#8220;THOD.&#8221; \ud83d\ude42<\/p>\n<hr \/>\n<p><b>Later:<\/b>  On the subway home I wrote out more longhand.  I actually like writing out longhand sometimes.  There&#8217;s something about the process of taking pen in hand, scribbling on paper as fast as I can but still still slower than I can type that forces me to engage with words differently.<\/p>\n<p>For example, some of the articles I write for the catalog that I write for are written out, at least in part, longhand on the morning or evening commute.  Believe it or not, I like writing some of that material on the train in that fashion.<\/p>\n<p>Tonight, though, I wrote out a little more of &#8220;THOD.&#8221;  A snatch of conversation between Freddy and Anna, and then a passage for a completely different scene, in a completely different part of the book.<\/p>\n<p>This particular scene is not something that I outlined for initially.  It wasn&#8217;t until last weekend, actually, that I &#8220;saw&#8221; this scene in my head.  It goes near the end.  I think it&#8217;s either from the penultimate chapter, or the chapter before that.  It&#8217;s near the end.<\/p>\n<p>I know where the scene takes place &mdash; in Washington, DC in general.  A Smithsonian museum in particular.  I know the two characters in the scene.  Freddy is one.  The other I&#8217;ve not mentioned previously.<\/p>\n<p>They talk.  And this is what I wrote on the train:<\/p>\n<blockquote><p>&#8220;Are you lost?&#8221;<\/p>\n<p>&#8220;Lost?  No, I&#8217;m not lost.&#8221;<\/p>\n<p>&#8220;You&#8217;re not?&#8221;<\/p>\n<p>&#8220;I can&#8217;t be lost, not when you&#8217;ve found me.&#8221;<\/p>\n<p>&#8220;I wasn&#8217;t looking for you.&#8221;<\/p>\n<p>&#8220;Well, in that case, I guess I am lost.&#8221;<\/p><\/blockquote>\n<p>The conversation continues past that point, but I won&#8217;t say where it goes. \ud83d\udc7f<\/p>\n<p>And now, I am <i>really<\/i> enjoying writing this.  Based on my previous work, this is not a story that anyone would expect from me, but then, I thrive on the unexpected.  This is different, in a lot of good ways.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s taken four chapters of &#8220;THOD,&#8221; but I have finally found my narrative voice. There&#8217;s nothing objectively wrong with what I&#8217;ve written previously. It&#8217;s just feels flat to me. Last night I was working on a scene between one of the story&#8217;s protagonists, Freddy, and someone he knows briefly in his youth, a woman named<a class=\"more-link\" href=\"http:\/\/www.allyngibson.com\/?p=2322\">Continue reading <span class=\"screen-reader-text\">&#8220;On the Latest Writing&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[75],"tags":[690,4102],"class_list":["post-2322","post","type-post","status-publish","format-standard","hentry","category-writing","tag-thod","tag-writing","entry"],"_links":{"self":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts\/2322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2322"}],"version-history":[{"count":0,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts\/2322\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2322"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}