{"id":32916,"date":"2020-12-06T19:21:25","date_gmt":"2020-12-07T00:21:25","guid":{"rendered":"http:\/\/www.allyngibson.com\/?p=32916"},"modified":"2020-12-06T19:24:10","modified_gmt":"2020-12-07T00:24:10","slug":"and-then-there-were-peanuts","status":"publish","type":"post","link":"http:\/\/www.allyngibson.com\/?p=32916","title":{"rendered":"And Then There Were Peanuts"},"content":{"rendered":"\n<p>Ten childhood friends, now estranged in adulthood, are invited to a weekend retreat on a secluded island.&nbsp; A cryptic poem and a message hint that each of these friends harbor personal and professional secrets and that soon they will each die in an elaborate revenge plot.&nbsp; These friends &#8212; these <i>peanuts<\/i> &#8212; may not make it through the night alive, and before the end their secrets will be laid bare.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"427\" height=\"640\" src=\"http:\/\/www.allyngibson.com\/wp-content\/uploads\/2020\/12\/STL166605-427x640.jpg\" alt=\"Dial P for Peanuts Cover\" class=\"wp-image-32915\"\/><\/figure><\/div>\n\n\n\n<p>Those friends?<\/p>\n\n\n\n<p>Penn, the stinky kid, now the perfume model.<br>Frank, their one black friend as a child, now a candidate for Senator.<br>Marci, the brainy one, now a distinguished FBI agent.<br>Patty, the sporty one, now a women&#8217;s rights activist.<br>Shredder, once a piano prodigy, now a guitar god rockstar.<br>Sally, the youngest one, now a gold-digging serial widow.<br>Lucille, the bossy one, now a respected psychiatrist.<br>Charles, the cheerful one who held the gang together, now an environmental lawyer.<br>A red-haired woman with her face obscured.<br>And is there another?<\/p>\n\n\n\n<p>Charles Schulz&#8217;s <i>Peanuts<\/i> meets Agatha Christie&#8217;s <i>And Then There Were None<\/i> in David C. Hayes, Michael Kary, and Kurt Blecher&#8217;s <i>Dial P For Peanuts<\/i>, a graphic novel from Source Point Press adapted from the play by Hayes and Kary.<\/p>\n\n\n\n<p><i>Dial P for Peanuts<\/i> belongs to that interesting genre of post-<i>Peanuts<\/i> fiction, which imagines the characters of Schulz&#8217;s comic strip in their teenage years or adulthood. The most famous example may be Bert Royal&#8217;s play <i><a href=\"https:\/\/en.wikipedia.org\/wiki\/Dog_Sees_God:_Confessions_of_a_Teenage_Blockhead\">Dog Sees God<\/a><\/i> or Jason Yungbluth&#8217;s <em>Weapon Brown<\/em>, and I&#8217;ve long admired John Aegard&#8217;s Lovecraft pastiche, &#8220;<a href=\"http:\/\/strangehorizons.com\/fiction\/the-great-old-pumpkin\/\">The Great Old Pumpkin<\/a>.&#8221;  I may even have written something in that vein myself, though it&#8217;s so allusive no one&#8217;s ever picked up on it that I know of.<\/p>\n\n\n\n<p>The difference with <em>Dial P for Peanuts<\/em> is that it doesn&#8217;t even try to hide what it is.  The name &#8220;Peanuts&#8221; is right there in the title, and no effort is made to hide the fact that these are the <em>Peanuts<\/em> characters; Charles even wears the familiar yellow shirt with the black stripe, and Patty still wears the green shirt.  <em>Comics Worth Reading<\/em> even asked <a href=\"https:\/\/comicsworthreading.com\/2020\/10\/11\/will-this-dark-peanuts-revision-get-published\/\" class=\"ek-link\">whether this would even be published<\/a> for that reason.  <em>Dog Sees God<\/em>, at least, renames the characters to give it at least a thin veneer of separation.  <em>Dial P for Peanuts<\/em> drops the characters into an Agatha Christie story and just goes.<\/p>\n\n\n\n<p>And how does that setup work?  By and large, it works fine.  It&#8217;s occasionally squicky, sometimes funny, and the climactic deconstruction of Charlie Brown&#8217;s place in the <em>Peanuts<\/em> firmament is actually insightful.  The <em>Peanuts<\/em> characters were never sweetness and light &#8212; far from it, they&#8217;re all a bit cruel to one another, and <a href=\"http:\/\/www.allyngibson.com\/?p=28285\" class=\"ek-link\"><em>A Charlie Brown Christmas<\/em> is a prime example<\/a> &#8212; but the way the narrative twists them, telling us that they&#8217;ve each fucked up badly in secret ways, hurting others and themselves, sort of misses the point.  The <em>Peanuts<\/em> characters weren&#8217;t cruel because they were <em>bad<\/em>.  They were cruel because they were <em>children<\/em>.  The characters in <em>Dial P for Peanuts<\/em> grew up, but they never became <em>adults<\/em>.  It was as though their personalities became frozen in amber.  In that sense, I was left feeling a little dissatisfied.  I would have liked a story that actually dealt with the <em>Peanuts<\/em> characters <em>as<\/em> adults.<\/p>\n\n\n\n<p>Karl Belcher&#8217;s artwork doesn&#8217;t attempt a Schulz pastiche.  (While adults didn&#8217;t appear in <em>Peanuts<\/em>, Schulz drew adult characters in some of his other work, like <em>Youth<\/em>, so there&#8217;s a model that could have been drawn upon.)  Instead, I was reminded of Kyle Baker&#8217;s work on the graphic novel adaptation of Warren Beatty&#8217;s <em>Dick Tracy<\/em> thirty years ago.  It even adopts a kind of comic strip pacing; each page is a six-panel grid.<\/p>\n\n\n\n<p>All in all, <em>Dial P for Peanuts<\/em> is an odd, if interesting piece of <em>Peanuts<\/em> ephemera.  I enjoyed it as I read it, but I&#8217;m not sure if I&#8217;ll revisit it any time soon.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ten childhood friends, now estranged in adulthood, are invited to a weekend retreat on a secluded island.&nbsp; A cryptic poem and a message hint that each of these friends harbor personal and professional secrets and that soon they will each die in an elaborate revenge plot.&nbsp; These friends &#8212; these peanuts &#8212; may not make<a class=\"more-link\" href=\"http:\/\/www.allyngibson.com\/?p=32916\">Continue reading <span class=\"screen-reader-text\">&#8220;And Then There Were Peanuts&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49],"tags":[4954,4590,4778,234,4099],"class_list":["post-32916","post","type-post","status-publish","format-standard","hentry","category-comic-books","tag-agatha-christie","tag-charles-schulz-2","tag-charlie-brown-2","tag-linus-van-pelt","tag-peanuts","entry"],"_links":{"self":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts\/32916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32916"}],"version-history":[{"count":0,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts\/32916\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32916"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}