{"id":5022,"date":"2010-03-21T09:08:16","date_gmt":"2010-03-21T14:08:16","guid":{"rendered":"http:\/\/www.allyngibson.net\/?p=5022"},"modified":"2010-03-21T09:08:16","modified_gmt":"2010-03-21T14:08:16","slug":"on-the-time-travelers-wife-the-television-series","status":"publish","type":"post","link":"http:\/\/www.allyngibson.com\/?p=5022","title":{"rendered":"On The Time Traveler&#8217;s Wife: The Television Series"},"content":{"rendered":"<p>Last year, some noise was made about a television series based on <i>The Time Traveler&#8217;s Wife<\/i>, Audrey Niffenegger&#8217;s novel about a couple, Henry and Claire, who live a very strange life &mdash; he travels through time at random, living his life out of sequence, while she lives on the slow path, moving into the future at the rate of twenty-four hours each day.<\/p>\n<p>(<i>Doctor Who<\/i> ref.  Sorry.  Can&#8217;t be helped.)<\/p>\n<p>And because everything comes up at TrekBBS, <a href=\"http:\/\/www.trekbbs.com\/showthread.php?t=117148\">I weighed in on how to translate the novel to a weekly television series<\/a>:<\/p>\n<p>The great problem in translating <i>The Time Traveler&#8217;s Wife<\/i> to television is that the novel is reactive.  The characters in the story aren&#8217;t actors, they don&#8217;t have agency to do anything to alter their lives or their fate, and so they don&#8217;t.  Henry and Claire are passive characters who react to events because they feel that they are powerless to do anything except accept what happens to them.  I deliberately use the word &#8220;feel&#8221; in the preceding sentence, because the novel doesn&#8217;t address whether or not events are, in fact, predestined; Henry worries at one point that time has been altered, but when he discovers that things are not, in fact, altered, this discovery confirms what he&#8217;s always believed, that time cannot be altered.<\/p>\n<p>Any <i>TTW<\/i> television series would have to address the agency question head on, and the question of &#8220;predestination versus free will&#8221; would be a powerful dramatic engine for the series.  Television audiences aren&#8217;t exactly going to be receptive week after week to tune in and see Henry and Claire of different ages talking about their feelings, because there&#8217;s no drama inherent in that.  That works in a book, where these scenes create mood and tension, but on screen they would be deadly dull and the show would be heading for a quick cancellation.<\/p>\n<p>The series would also need an antagonist.  The vicissitudes of fate isn&#8217;t sufficient, because it&#8217;s too abstract.  There are several possibilities.  An &#8220;evil Leaper,&#8221; since we&#8217;re told in the novel that Henry and later his daughter aren&#8217;t the <i>only<\/i> Chronally Displaced Persons; perhaps in his travels Henry crosses paths with someone else who is also displaced in time, only this person is a bit amoral.  Or a determined police officer, who tries to establish who this mysterious naked man is that shows up at random and vanishes at random; over the course of the series, he attempts to pin several of Henry&#8217;s CDP burglaries on &#8220;present&#8221; Henry.<\/p>\n<p>Finally, a television series would need, like all good genre television series today have, a story arc across the season.<\/p>\n<p>The obvious story arc?  Henry attempting to prevent his own death, the accidental shooting by Claire&#8217;s brother.  That wouldn&#8217;t be difficult to structure across thirteen episodes; the question is whether or not it would be worth doing.  Obviously, it violates the book <i>massively<\/i>, but it would also have undeniable dramatic appeal, which a television series requires.<\/p>\n<p>A less obvious story arc?  Henry attempting to control his chronal displacement.  Perhaps he tries meditative techniques.  Perhaps he tries experimental drug therapies.  (And I know who I&#8217;d cast as Henry&#8217;s doctor &#8212; Andre Braugher.  That&#8217;s who I pictured when I read the book.)  Perhaps Henry even tries to find a way to make his leaps into the past more <i>directed<\/i>, eliminating the random element.  Again, it&#8217;s <i>contra<\/i> the book, but this is a development that a television audience would probably expect.<\/p>\n<p>If you can&#8217;t tell, I&#8217;ve given this a fair bit of thought.  I&#8217;d also make Henry and Claire&#8217;s daughter more central, and I think that, in an early episode, I would want a scene where the young Henry, when he doesn&#8217;t quite understand what happens to him, displaces into the future and meets Claire as she is in her mid-thirties.  (I feel like that&#8217;s in the book, but I don&#8217;t think it is.)  Beyond that, I&#8217;m not really picky.<\/p>\n<p>The television series is going to be a variation on the theme, because to work as a television series it&#8217;s going to need to be altered; things that work on the page won&#8217;t work on screen, and audience expectations over a long haul, as a television series has the potential to be, are going to be vastly different.  A <i>TTW<\/i> television series is not going to be the emotional tone poem of the book, and for people who don&#8217;t (or won&#8217;t) like the changes a television series will make to the source material, the source material is <i>still<\/i> going to exist.  Just pull the book down off the shelf and read it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last year, some noise was made about a television series based on The Time Traveler&#8217;s Wife, Audrey Niffenegger&#8217;s novel about a couple, Henry and Claire, who live a very strange life &mdash; he travels through time at random, living his life out of sequence, while she lives on the slow path, moving into the future<a class=\"more-link\" href=\"http:\/\/www.allyngibson.com\/?p=5022\">Continue reading <span class=\"screen-reader-text\">&#8220;On The Time Traveler&#8217;s Wife: The Television Series&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[131],"tags":[54],"class_list":["post-5022","post","type-post","status-publish","format-standard","hentry","category-television","tag-science-fiction","entry"],"_links":{"self":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts\/5022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5022"}],"version-history":[{"count":0,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts\/5022\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5022"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}