{"id":5679,"date":"2011-03-12T09:31:42","date_gmt":"2011-03-12T14:31:42","guid":{"rendered":"http:\/\/www.allyngibson.net\/?p=5679"},"modified":"2013-08-28T01:35:31","modified_gmt":"2013-08-28T01:35:31","slug":"on-my-top-ten-elbow-songs","status":"publish","type":"post","link":"http:\/\/www.allyngibson.com\/?p=5679","title":{"rendered":"On My Top Ten Elbow Songs"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.allyngibson.com\/wp-content\/uploads\/2013\/08\/elbow-castthousands.jpg\" width=\"300\" height=\"299\" border=\"1\" align=\"right\" class=\"alignright\" \/>A radio station in Essex (England, that is, not Maryland) has been soliciting votes for listeners (and other fans&#8217;) top ten Elbow songs for an upcoming show.  Naturally, as I have some small interest in the subject and I have opinions on the matter, I went to <a href=\"http:\/\/www.phoenixfm.com\/the-top-20-show-elbow\/\">the website<\/a> and voted.<\/p>\n<p>The choices on the web form don&#8217;t, unfortunately, encompass the totality of the band&#8217;s work.  The five albums are there, a few b-sides, and an odds-and-ends or two.  The things that are missing, basically, are things that only completists and hard-core Elbow fans would be likely to know.<\/p>\n<p>My choices for the top ten Elbow songs&#8230;<\/p>\n<ol>\n<li><b>&#8220;Fugitive Motel&#8221;<\/b><br \/><i>Cast of Thousands<\/i> was the first Elbow album I bought.  As I remember it, I bought it the same day I bought Snow Patrol&#8217;s <i>Final Straw<\/i>, at the Best Buy at Crossroads in Cary, North Carolina.  Ironically, given my feelings on the two bands now, it was <i>Final Straw<\/i> that I listened to more, but I also burned out on <i>Final Straw<\/i> in a way that I didn&#8217;t burn out on <i>Cast of Thousands<\/i>.  There were two tracks on <i>Cast of Thousands<\/i> that made me stand up and take note of the band, and &#8220;Fugitive Motel&#8221; was one of those two.  What impressed me about the song was the poetic evocation of a lonely life on the road, away from the people and places that the song&#8217;s subject loves.  &#8220;Cigarette holes for every lost soul&#8221; is a powerful line.  If there&#8217;s a song that encapsulates Elbow for me, it would be &#8220;Fugitive Motel.&#8221;<\/li>\n<li><b>&#8220;The Loneliness of a Tower Crane Driver&#8221;<\/b><br \/>I didn&#8217;t know that Elbow had released a new album.  I happened to be at Best Buy, browsing through the music department, and I noticed that there was an Elbow album there I didn&#8217;t have &mdash; <i>The Seldom Seen Kid<\/i>.  I bought it instantly, along with the digital converter box for my television (which was the reason I had gone to Best Buy).  I took the album home, put it in the stereo like a totemic object, and&#8230; I didn&#8217;t like it.  I took the album to work the next day, I put it in the computer, I listened to it through headphones, and, still feeling somewhat tepid about it, I reached &#8220;The Loneliness of a Tower Crane Driver.&#8221;  I&#8217;d already heard the song two or three times that day &mdash; I had it on repeat &mdash; but something about hearing it <i>this<\/i> particular time <i>gripped<\/i> me.  There&#8217;s an instrumental passage of emotional catharsis that comes at about 3:40 into the song, where the weight of the subject&#8217;s loneliness gives way to the sunshine of hope, and when that wave hit me I was blown away.  I suddenly understood <i>The Seldom Seen Kid<\/i> as a whole, and I&#8217;ve loved the album completely ever since.<\/li>\n<li><b>&#8220;Scattered Blacks and Whites&#8221;<\/b><br \/>I have to be honest, <i>Asleep in the Back<\/i>, Elbow&#8217;s first album, is an album that I have never really understood.  I like many of the songs on it, but it doesn&#8217;t cohere for me in ways that the later albums do.  (<i>Cast<\/i> also doesn&#8217;t cohere, but <i>Leaders of the Free World<\/i> is a break-up album, <i>The Seldom Seen Kid<\/i> is a falling-in-love album, and <i>Build a Rocket Boys!<\/i> is a going-home album.)  But the songs that work for me on <i>Asleep<\/i> really <i>do<\/i> work for me, and &#8220;Scattered Blacks and Whites&#8221; is one of those.  A song about memories of childhood, there&#8217;s a gentle, poetic spirit to it.<\/li>\n<li><b>&#8220;The Stops&#8221;<\/b><br \/>One of the break-up songs on <i>Leaders of the Free World<\/i>, &#8220;The Stops&#8221; is about Guy Garvey&#8217;s break-up with deejay Edith Bowman.  I find the song very relateable; I think everyone has felt the feelings expressed here when a relationship ends for reasons not of their choice.<\/li>\n<li><b>&#8220;Open Arms&#8221;<\/b><br \/>Perhaps it&#8217;s unfair to list a song from the newest album, <i>Build a Rocket Boys!<\/i> in the top five.  Yet, I think it&#8217;s a staggering song.  On first listen, it sounds much like &#8220;One Day Like This,&#8221; the anthemic song from <i>The Seldom Seen Kid<\/i> about waking up in the flush of love.  But when you get past the singalong chorus and delve down into the lyrics, there&#8217;s something far more interesting at work.  As I mentioned above, <i>BaRB!<\/i> is an album about going home, and &#8220;Open Arms&#8221; exemplifies that with its story of a young man who has walked away from his life, turned his back on friends and family, and struck out on his own &mdash; and the people he left behind who are ready and willing to welcome him back, no questions asked.  &#8220;Open Arms&#8221; may have sounded like &#8220;One Day Like This,&#8221; but it&#8217;s really &#8220;Tower Crane Driver&#8221; by way of The Beatles&#8217; &#8220;Let It Be.&#8221;  The verses paint a powerful picture of loneliness, the chorus paints a portrait of friendship and acceptance, and, I admit, this song hit very close to home for me.<\/li>\n<li><b>&#8220;Mirrorball&#8221;<\/b><br \/>An utterly gorgeous song on <i>The Seldom Seen Kid<\/i> about falling in love.<\/li>\n<li><b>&#8220;Leaders of the Free World&#8221;<\/b><br \/>I love this song because it rocks hard.  I love this song because it&#8217;s an anti-Bush\/anti-Blair\/anti-Iraq War song &mdash; &#8220;Leaders of the free world are just little boys throwing stones.&#8221;  It&#8217;s not a profound song like the songs listed above.  It&#8217;s just a song that speaks to a time and a place.<\/li>\n<li><b>&#8220;Great Expectations&#8221;<\/b><br \/>I didn&#8217;t get this song from <i>Leaders of the Free World<\/i> for a very long time.  It took the break-up of two friends of mine for me to really understand it &mdash; and, even then, I&#8217;m not sure that I really do.  If &#8220;The Stops&#8221; is the reaction to an unexpected break-up as it happens, &#8220;Great Expectations&#8221; is the mourning after for what was lost, for the dreams that were shattered.  It&#8217;s the gloomy feelings that seem to overwhelm the world and drown out the light.  It&#8217;s a gentle song, and like Elbow&#8217;s best work the lyrics are poetic and moving.<\/li>\n<li><b>&#8220;Not a Job&#8221;<\/b><br \/>This is the other song from <i>Cast of Thousands<\/i> that made me sit up and take note of Elbow.  To be honest, after seven years I <i>still<\/i> have no idea what this song is about.  I&#8217;m sure someone can chime in and tell me it&#8217;s something obvious and that I&#8217;ve been overthinking the song all these years.  But songs don&#8217;t have to <i>mean<\/i> anything; sometimes, you can love a song with inscrutable lyrics just because it&#8217;s <i>awesome<\/i> to listen to.  And &#8220;Not a Job&#8221; is, for me, awesome to listen to.  It sounds like nothing else.<\/li>\n<li><b>&#8220;Newborn&#8221;<\/b><br \/>&#8220;I&#8217;ll be the corpse in your bathtub &mdash; useless.&#8221;  How can one <i>not<\/i> love a song that starts with a line like that?  From <i>Asleep in the Back<\/i>, &#8220;Newborn&#8221; is a song that, like &#8220;Not a Job,&#8221; I don&#8217;t really understand but that I love the sound of and that I gained a greater appreciation of when I saw Elbow live a few years ago.<\/li>\n<\/ol>\n<p>These were the top ten Elbow songs I selected for Phoenix FM.  It&#8217;s completely non-scientific, and trying to figure out positions eight through ten proved more challenging than I would have thought.<\/p>\n<p>If they had more options for b-sides, the list would have been slightly different &mdash; &#8220;About Time&#8221; would have made the top five, and &#8220;Theme from Munro Kelly&#8221; (an instrumental inspired by Ernie Hudson&#8217;s character from <i>Congo<\/i>) would have been in the bottom half, which would have pushed &#8220;Newborn&#8221; off the list entirely&#8221; and caused either &#8220;Great Expectations&#8221; or &#8220;Not a Job&#8221; to drop.  (It would have come down to a coin flip.)<\/p>\n<p>I&#8217;ve found that when I connect with an Elbow song, I connect with it in a way that it worms its way into my psyche and reaches emotional depths that I often keep guarded.  I feel at times that Guy Garvey writes the lyrics and the band writes the music, if not just for me, then certainly for all the lonely <a href=\"http:\/\/www.personalitypage.com\/INFP.html\">INFP<\/a>s in the world.  Many of these songs <i>do<\/i> connect with me deeply.<\/p>\n<p>I&#8217;m curious to see what Elbow fandom as a whole (or, at least, as much as votes for Phoenix FM) selects as the top ten Elbow songs.  If you&#8217;re an Elbow fan, <a href=\"http:\/\/www.phoenixfm.com\/the-top-20-show-elbow\/\">pick your top ten and vote<\/a>. \ud83d\ude42<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A radio station in Essex (England, that is, not Maryland) has been soliciting votes for listeners (and other fans&#8217;) top ten Elbow songs for an upcoming show. Naturally, as I have some small interest in the subject and I have opinions on the matter, I went to the website and voted. The choices on the<a class=\"more-link\" href=\"http:\/\/www.allyngibson.com\/?p=5679\">Continue reading <span class=\"screen-reader-text\">&#8220;On My Top Ten Elbow Songs&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[66],"tags":[4117,680],"class_list":["post-5679","post","type-post","status-publish","format-standard","hentry","category-music","tag-elbow","tag-guy-garvey","entry"],"_links":{"self":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts\/5679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5679"}],"version-history":[{"count":0,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts\/5679\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5679"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}