{"id":6188,"date":"2011-12-26T19:40:39","date_gmt":"2011-12-27T00:40:39","guid":{"rendered":"http:\/\/www.allyngibson.net\/?p=6188"},"modified":"2015-11-16T17:46:06","modified_gmt":"2015-11-16T22:46:06","slug":"on-widows-blue-boxes-and-christmas-trees","status":"publish","type":"post","link":"http:\/\/www.allyngibson.com\/?p=6188","title":{"rendered":"On Widows, Blue Boxes, and Christmas Trees"},"content":{"rendered":"<p>Saturday night, as I did my last Christmas wrapping, I watched <i>Santa Claus Conquers the Martians<\/i>.  It&#8217;s been <a href=\"http:\/\/www.allyngibson.com\/?p=2137\">my Christmas Eve tradition<\/a> for several years now, though last year, as I was in Raleigh for Christmas, I didn&#8217;t have the opportunity to watch the film.<\/p>\n<p>As I watched the film this year, I had a brainwave.<\/p>\n<p>For next year&#8217;s <i>Doctor Who<\/i> Christmas special, Steven Moffat should riff on <i>Santa Claus Conquers the Martians<\/i>.  As I&#8217;ve said before, the story in <i>Santa Claus Conquers the Martians<\/i> isn&#8217;t <i>that<\/i> bad, and it would work rather well as a <i>Doctor Who<\/i> story.<\/p>\n<p>Last year, he adapted Dickens&#8217; <i>A Christmas Carol<\/i> to the <i>Doctor Who<\/i> world.  This year, &#8220;The Doctor, the Widow, and the Wardrobe&#8221; had some points of connection to C.S. Lewis&#8217; <i>The Lion, the Witch, and the Wardrobe<\/i>.<\/p>\n<p>And <i>Santa Claus Conquers the Martians<\/i> offers a wealth of <i>Who<\/i>vian possibility!  Replace the film&#8217;s Martians with Ice Warriors.  The Ice Warriors&#8217; children are languid and bored, so a group of Ice Warriors travel to Earth and kidnap a Santa Claus to bring them happiness, but there is one among the Ice Warriors who will betray their noble leader and sow dissension among their ranks.  Also, it&#8217;s not a <i>real<\/i> Santa Claus the Ice Warriors have kidnapped!  It&#8217;s a department store Santa &mdash; maybe it&#8217;s even Craig from &#8220;The Lodger&#8221; and &#8220;Closing Time&#8221; &mdash; with children, and it&#8217;s up to the Doctor to go to Mars, get the Santa Claus back and reunite a family, bring peace to the Ice Warriors, and defuse an interplanetary incident.<\/p>\n<p>However, &#8220;The Doctor Conquers the Ice Warriors&#8221; is not the <i>Doctor Who<\/i> Christmas special at hand.  We have &#8220;The Doctor, the Widow, and the Wardrobe&#8221; to consider, instead.<\/p>\n<p>On Christmas Eve, 1938, Madge Arwell sees a man fall from the sky.  He&#8217;s a strange, daffy man in a spacesuit, and he asks her to help him find his Police Box.  When she does so, he makes the promise that when she needs him she need only make a wish.  A few years later, when her husband, an RAF bomber pilot, has been lost over the English Channel, she and her children, Lily and Cyril, are evacuated to a mansion in the English countryside, far from the Blitz.  There, they discover the mansion is overseen by a strange man who calls himself &#8220;the Caretaker,&#8221; and he has a present for them under the tree &mdash; a blue box that&#8217;s a portal into a magical wintry forest where strange things lurk.<\/p>\n<p>When &#8220;The Doctor, the Widow, and the Wardrobe&#8221; was first announced and Moffat was reported to have used <i>The Lion, the Witch, and the Wardrobe<\/i> as a kernel from which to grow the story, I wondered if the episode might have had something in common with Jonathan Morris and Rob Davis&#8217; &#8220;<a href=\"http:\/\/www.allyngibson.com\/?page_id=5594\">The Professor, the Queen, and the Bookshop<\/a>,&#8221; the comic strip story in which the Doctor&#8217;s life is reimagined through the filter of Narnia.  The Narnia connections between &#8220;The Doctor&#8230;&#8221; and <i>The Lion&#8230;<\/i> are few, though, limited to some of the settings, a magical box, and a world of winter, and Moffat takes the story in other directions.<\/p>\n<p>They are not, however, <i>interesting<\/i> directions.  &#8220;The Doctor, the Widow, and the Wardrobe&#8221; is one of the weaker <i>Doctor Who<\/i> Christmas specials &mdash; and it&#8217;s one of Steven Moffat&#8217;s weakest <i>Doctor Who<\/i> stories.<\/p>\n<p>Ironically, it&#8217;s that weakness that makes it difficult to discuss.  &#8220;The Doctor, the Widow, and the Wardrobe&#8221; leaves no great impression.  The acting is fine, there&#8217;s a sense of place, there are some nice visuals, but none of it is especially <i>involving<\/i> and it&#8217;s all very superficial.<\/p>\n<p>I can look at the episode as Moffat-in-miniature &#8212; many of Moffat&#8217;s tropes are on display, whether they make sense together in a single package or not.  The Doctor bonds with children, the Doctor is more like a fairy tale wizard than a sci-fi hero, the story appears to have a villain but ultimately doesn&#8217;t, there&#8217;s pointless fanwank, there&#8217;s a predestination paradox at the heart of the story, and the story&#8217;s resolution is &#8220;And then a miracle happened.&#8221;  In this case, I&#8217;m not sure that it all works.  The fanwank, for example, has no bearing on the story; does it <i>matter<\/i> that Androzani Major from the fifth Doctor story &#8220;The Caves of Androzani&#8221; gets several mentions?  The predestination paradox &mdash; the trees have a prophecy that they will be saved by the Doctor&#8217;s arrival because the Doctor&#8217;s arrival and the family&#8217;s escape resulted in the tree spirits getting taken back in time by several thousand years &mdash; is a subtler recursion than, say, &#8220;Blink&#8221; or &#8220;A Christmas Carol,&#8221; but &#8220;The Doctor, the Widow, and the Wardrobe&#8221; is <i>still<\/i> a Steven Moffat story where the resolution happens <i>because<\/i> of that resolution.<\/p>\n<p>&#8220;The Doctor, the Widow, and the Wardrobe&#8221; also had a number of scenes that lifted from other franchises for no good reason except, perhaps, that Moffat <i>wanted<\/i> to write such a scene &mdash; the opening shot is a lift from the opening shot of <i>Star Wars<\/i>, and the Doctor bailing out of an exploding spaceship references <i>Moonraker<\/i> &mdash; and these scenes did nothing to move the plot forward.  That&#8217;s the ultimate problem with the episode &mdash; the episode eschewed a plot in favor of a series of scenes strung together haphazardly, resulting in an episode with a schizophrenic tone that veered so often that I found my attention flagging as there was nothing to latch onto.  The episode was very RTD-esque in that sense; Russell T. Davies preferred to write scripts that lacked a traditional plot development to make them more breathless.  But it was also RTD-esque in another sense; like the RTD Christmas specials, it&#8217;s a Christmas story only in the sense that its events occur at Christmas.<\/p>\n<p>As I mentioned above, I had no quibbles with the acting.  Claire Skinner does an adequate job carrying the episode as Madge, the child actors were fine, and I&#8217;m not really sure who Bill Bailey is or why it was such a big deal that he was in <i>Doctor Who<\/i>.  (His role amounts to little more than a cameo, though I was amused at his armor, which reminded me of the SPARTAN armor from the <i>Halo<\/i> games.)  Matt Smith turns in a somewhat manic performance as the Doctor, veering wildly from childlike energy to grave seriousness, often in the course of a single scene.<\/p>\n<p>It&#8217;s unfortunate that the acting is in service of such a weak <i>story<\/i>.  The things you expect to happen in a story like this really <i>do<\/i> happen.  You expect the tree spirits to be saved.  You expect the lost aviator to turn up alive.  You expect the family to have the &#8220;best Christmas ever.&#8221;  I kept imagining other routes for the story to take; maybe it would have been more interesting if Cyril were Wilf as a child and Madge were Donna Noble&#8217;s great-grandmother.  I spent the episode waiting for Moffat to subvert my expectations.  Maybe the trees <i>couldn&#8217;t<\/i> be saved.  Maybe a villain (other than faceless acid rain) would turn up.  Maybe the father would have died when his Lancaster crashed in the Channel.  But alas, Moffat wrote a story that harkened back to his <i>other<\/i> World War II story, &#8220;The Doctor Dances&#8221; &mdash; &#8220;Everybody lives, Rose! Just this once, everybody lives!&#8221;  And so they do.<\/p>\n<p>Nor was &#8220;The Doctor, the Widow, and the Wardrobe&#8221; even the most Christmassy <i>Doctor Who<\/i> story this year; that title belongs to Tony Lee and Paul Grist&#8217;s <i>Doctor Who<\/i> #12 from IDW Publishing, in which the Doctor and Santa Claus team up to fight homicidal robots.<\/p>\n<p>Ultimately, I&#8217;m not really sure what &#8220;The Doctor, the Widow, and the Wardrobe&#8221; is <i>for<\/i>.  As the last word on televised <i>Doctor Who<\/i> for nine months, it&#8217;s a weak note to go out on, and following as it does on the weak sixth season it cemented 2011 as the worst year of <i>Doctor Who<\/i> since its return in 2005.  The episode reached no heights, but neither did it plumb the abysmal depths.  At its best and its worst, &#8220;The Doctor, the Widow, and the Wardrobe&#8221; was simply middling and it left me indifferent.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saturday night, as I did my last Christmas wrapping, I watched Santa Claus Conquers the Martians. It&#8217;s been my Christmas Eve tradition for several years now, though last year, as I was in Raleigh for Christmas, I didn&#8217;t have the opportunity to watch the film. As I watched the film this year, I had a<a class=\"more-link\" href=\"http:\/\/www.allyngibson.com\/?p=6188\">Continue reading <span class=\"screen-reader-text\">&#8220;On Widows, Blue Boxes, and Christmas Trees&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":29515,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[64,4082,99,100,7],"class_list":["post-6188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-doctor-who","tag-christmas","tag-doctor-who","tag-matt-smith","tag-narnia","tag-steven-moffat","entry"],"_links":{"self":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts\/6188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6188"}],"version-history":[{"count":0,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/posts\/6188\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=\/wp\/v2\/media\/29515"}],"wp:attachment":[{"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6188"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.allyngibson.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}