On Structuring Acts

Last night, after a long day of writing and revising an outline, I printed off the work’s status quo and shoved it in my briefcase/bag-thing. It takes about an hour to get to work by subway and train, and there’s time that’s well spent doing something productive. 🙂

As I looked at what I had, as I made notes on a notepad about moving a plotline ahead and roughed out a scene, I made a shocking realization.

I’d somehow set myself up with a four-act structure.

I blame decades of watching Doctor Who.

There is Cliffhanger, Cliffhanger, Cliffhanger, End.

I didn’t plan it that way. I noticed, in writing the outline, that the second act seemed really long. Maybe I was just being overly detailed, I thought. Maybe I’m just being wordy.

No, about midway through, there’s a dramatic rise, the plot turns, and it sets the stage for the next major plot turn, a turn that then takes the story to its conclusion.

Four acts. Not three. Like a classic Doctor Who story. Only, without all the pointless running around in the third act to pad the thing out. 😉

It’s now just a matter of getting this finished up.

Published by Allyn

A writer, editor, journalist, sometimes coder, occasional historian, and all-around scholar, Allyn Gibson is the writer for Diamond Comic Distributors' monthly PREVIEWS catalog, used by comic book shops and throughout the comics industry, and the editor for its monthly order forms. In his over ten years in the industry, Allyn has interviewed comics creators and pop culture celebrities, covered conventions, analyzed industry revenue trends, and written copy for comics, toys, and other pop culture merchandise. Allyn is also known for his short fiction (including the Star Trek story "Make-Believe,"the Doctor Who short story "The Spindle of Necessity," and the ReDeus story "The Ginger Kid"). Allyn has been blogging regularly with WordPress since 2004.

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